Arpeggios in a sentence

Ottignon’s contribution to the program was four piano improvisations, opening the concert with one that started with slow arpeggios and built to cascades of notes from the left hand with rippling hints of a West African kora from the right hand.

As he dug arpeggios out of the lower depths of the staff, Martin never cheapened his double-tongued low notes, but instead fattened them with equal weight as the prolonged high pitches he ultimately landed on.

Waxahatchee’s somber and sparkling “Right Back to It” features Lenderman’s lonesome guitar arpeggios and sweet monotone and lifting backing vocals.

Given the prescient nature of the series, I can’t be the only person who has this theme running through their head as I tune into breaking news; a simulated reality brought to life by ticking clocks and furious arpeggios of Gold’s making.

On “Quema,” Sotomayor — the duo of Mexican siblings Raul and Paulina Sotomayor — gestures briefly toward traditional percussion, then rolls in 1980s-flavored synthesizers, with a drum machine, a fuzzy bass line and bubbly arpeggios.

Specifically, opener “Underlie” initially finds Symonds’ falsetto laments cascading over a soberingly sparse isle of sorrowful piano chords, acoustic guitar arpeggios, and dissonant soundscapes.

Arpeggios teach how to play broken chords over larger intervals.

Both cadenzas lead to an identical section with arpeggios in the piano and a solo flute accompanying, before the cadenza ends quietly.

Early piano music was light in texture, often with Alberti bass accompaniment, which used arpeggios in the left hand to state the harmonies.

Jazz guitar improvising is not merely the recitation of jazz scales and rapid arpeggios.

On a harp, the player can slide their finger across the strings, quickly playing the scale (or on pedal harp even arpeggios such as C -D-E -F-G -A -B).

See Chapter 3, "Scales/Arpeggios/Chromatic Scales", p. 8 Notes in the third octave A woman and girl playing recorders at Fort Ross State Historic Park in 2015 A skilled player can, with a good recorder, play chromatically over two octaves and a fifth.

Since two hands can be used to play on the fretboard, this makes it possible to play interweaving contrapuntal lines, to simultaneously play a bass line and a simple chord, or play chords and arpeggios.

When jazz guitar players improvise, they may use the scales, modes, and arpeggios associated with the chords in a tune's chord progression and elements of the tune's melody.