Beiderbecke in a sentence

Beiderbecke apparently spent time with them, but the degree to which Hardy's style influenced Beiderbecke's is difficult to know because Hardy never recorded.

Berton (p. 6) identifies the doctor as Dr. Haberski and (alone among Beiderbecke commentators) has Beiderbecke dying in Queens General Hospital.

In 1971, on the 40th anniversary of Beiderbecke's death, the Bix Beiderbecke Memorial Jazz Festival was founded in Davenport, Iowa, to honor the musician.

In some respects, Beiderbecke's playing was sui generis, The cornetist Rex Stewart described his friend Beiderbecke as "playin' stuff all his own.

Quotation from Trumbauer's journal; in Lion, p. 101. They were inseparable for much of the rest of Beiderbecke's career, with Trumbauer acting as a father figure to Beiderbecke.

The notice appeared in October 1931 and began with a bit of hyperbole and an incorrect fact, two hallmarks of much of the subsequent writing about Beiderbecke: "The announcement of Bix Beiderbecke's death plunged all jazz musicians into despair.

The Whiteman period also marked a precipitous decline in Beiderbecke's health, brought on by the demand of the bandleader's relentless touring and recording schedule in combination with Beiderbecke's persistent alcoholism.

Armstrong often emphasized the performance aspect of his playing, while Beiderbecke tended to stare at his feet while playing, uninterested in personally engaging his listeners.

Armstrong was deeply influenced by the blues, while Beiderbecke was influenced as much by modernist composers such as Debussy and Ravel as by his fellow jazzmen.

Beiderbecke attended Davenport High School from 1919 to 1921.

Beiderbecke biographer Lion has complained that the second number was marred by the alcohol consumed by the musicians.

Beiderbecke earned co-writing credit with Trumbauer on " For No Reason at All in C ", recorded under the name Tram, Bix and Eddie (in their Three Piece Band).

Beiderbecke has been reincarnated as a Romantic hero, the " Young Man with a Horn ".

Beiderbecke often failed to return to his dormitory before curfew, and sometimes stayed off-campus the next day.

Beiderbecke's cornet style is often described by contrasting it with Armstrong's markedly different approach.

Beiderbecke's most famous solo was on "Singin' the Blues", recorded February 4, 1927.

Beiderbecke's most influential recordings date from his time with Goldkette and Whiteman, although they were generally recorded under his own name or Trumbauer's.

Beiderbecke's mother and brother took the train to New York and brought his body home to Davenport.

Beiderbecke's mother was the daughter of a Mississippi riverboat captain.

Beiderbecke switched between cornet and piano on that number, and then in September played only piano for his recording of " In A Mist ".