Wondering how to use Castigata in a sentence? Below are 2 example sentences from authentic English texts. .
Castigata in a sentence
Context around Castigata
- Average sentence length in these examples: 23.5 words
- Position in the sentence: 0 start, 2 middle, 0 end
- Sentence types: 2 statements, 0 questions, 0 exclamations
Corpus analysis for Castigata
- In this selection, "castigata" usually appears in the middle of the sentence. The average example has 23.5 words, and this corpus slice is mostly made up of statements.
- Around the word, simple, clear and prague stand out and add context to how "castigata" is used.
- Recognizable usage signals include be simple castigata clear clara and la pravità castigata prague 1730. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "castigata" sits close to words such as aabc, aacr and aacsb, which helps place it inside the broader word index.
Example types with castigata
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
For Petrarch the gothic hand violated three principles: writing, he said, should be simple (castigata), clear (clara) and orthographically correct. (20 words)
The first eighteenth-century Don Juan opera produced in Europe was La pravità castigata (Prague, 1730), and the second one was Il convitato di pietra (Prague, 1776). (27 words)
The first eighteenth-century Don Juan opera produced in Europe was La pravità castigata (Prague, 1730), and the second one was Il convitato di pietra (Prague, 1776). (27 words)
For Petrarch the gothic hand violated three principles: writing, he said, should be simple (castigata), clear (clara) and orthographically correct. (20 words)
Example sentences (2)
For Petrarch the gothic hand violated three principles: writing, he said, should be simple (castigata), clear (clara) and orthographically correct.
The first eighteenth-century Don Juan opera produced in Europe was La pravità castigata (Prague, 1730), and the second one was Il convitato di pietra (Prague, 1776).