Dalí in a sentence

Dalí, Secret Life, pp.152–153 After her death, Dalí's father married his deceased wife's sister.

Fashion and photography Dali Atomicus, photo by Philippe Halsman (1948), shown before support wires were removed from the image Dalí built a repertoire in the fashion and photography businesses as well.

In a notable 1944 review of Dalí's autobiography, Orwell wrote, "One ought to be able to hold in one's head simultaneously the two facts that Dalí is a good draughtsman and a disgusting human being".

It had been claimed that Dalí gave this work to his exorcist out of gratitude, and two Spanish art experts confirmed that there were adequate stylistic reasons to believe the sculpture was made by Dalí.

Just off the top of the butte, Espace Dalí showcases surrealist artist Salvador Dalí 's work.

Leading surrealist André Breton accused Dalí of defending the "new" and "irrational" in "the Hitler phenomenon", but Dalí quickly rejected this claim, saying, "I am Hitlerian neither in fact nor intention".

Elsa Schiaparelli collaborated with Salvador Dalí on several iconic designs, including the of 1937.

Kingsley’s cerebral approach to acting, seen in the clip above, also makes him a great choice to play Dalí.

Schinasi’s first job was designing windows for stores on Fifth Avenue, where she brushed shoulders with the Spanish artist Salvador Dalí.

Such feats were born, he explained in interviews and in his many books, of a system of learned associations — call them surrealist visual puns — that seemed equal parts Ivan Pavlov and Salvador Dalí.

Argus represents the “all-seeing” creature which Dalí identified with.

Participating museums include: The Dalí Museum, The Museum of Fine Arts, The James Museum, Imagine Museum, Museum of Motherhood, The Woodson African American Museum of Florida, St. Petersburg Museum of History.

Shockingly, the MFA owns no Dalí paintings (it does have half a million other pieces of art, so it’s hard to complain about a blind spot or two).

During lockdown, the passing of time has come to resemble a Salvador Dalí dreamscape.

The current exhibition featured in the museum, “Millet and Modern Art: From Van Gogh to Dalí,” was enlightening and thought provoking.

The two men took to cutting puzzles from prints by modern artists — Picasso, Dalí and Léger, among others — and from posters they collected from theaters, circuses and even travel agencies.

Now, their permanent public collection includes, “Self Portrait, Etching at a Window” by Rembrandt van Rijn, “The Arrest of Christ” by Hieronymus Bosch, “Specter of the Evening” by Salvador Dalí, “Fleurs (Bouguet)” by Henri Matisse and more.

There’s even a legend that the always experimental Dalí dipped an octopus in paint and splattered it on the canvas to create some of the abstract images of the work, in place of using brushes.

The same-titled, lavishly illustrated exhibition catalogue places Millet’s oeuvre in the context of the artists he inspired, including Vincent van Gogh, Claude Monet and Salvador Dalí.

They had been mistaken for works by Claude Monet, Pablo Picasso and Salvador Dalí.