Debord in a sentence

Debord G.E. (1967) : thesis 24 Elaborating on Marx's argument that under capitalism our lives and our environment are continually depleted, Debord adds that the Spectacle is the system by which capitalism tries to hide such depletion.

So I never quote Debord when I'm on TV, and I'm almost never on TV—so I guess that's how, in my way, I'm true to Debord.

Stirner and Debord overlap significantly in their criticism of the ways we interact with images and narratives as a substitute for meaningful, authentic engagement with each other and for the development of functioning social institutions.

Before Debord, other well-known artists and poets like the surrealists and Charles Baudelaire had already celebrated the virtues of the city stroller or flâneur.

For Debord, in the racist and colonial “hierarchy” of the society of the spectacle, people of colour, but particularly black people are reduced to the status of things.

Shortly after, François Debord (Denis Ménochet) who also claims to have been abused by Preynat contacts Alexandre.

Appalachian Funeral Home & Cremation Services, 800 E. Watauga Ave., Johnson City, is serving the DeBord family.

Indiana offensive coordinator Mike DeBord has had two stints as an assistant with the Wolverines and quarterbacks coach Nick Sheridan played at Michigan.

So Marx and Marcuse, Debord and Fanon, they all still apply.

Using funds from a developer, Salford is building socially rented, council-owned properties through its company Dérive, named after a revolutionary theory by French Marxist philosopher Guy Debord.

As a prototype Marxist intellectual Debord needed an ally who could patch up the petty egoisms and squabbles of the members.

Debord argued in 1967 that spectacular features like mass media and advertising have a central role in an advanced capitalist society, which is to show a fake reality in order to mask the real capitalist degradation of human life.

Debord G.E. (1967) : thesis 72. of a degrading reality has been elaborated by many Situationist artists, producing détournements of advertising where instead of a shiny life the crude reality was represented.

Debord's work The Society of the Spectacle (1967) established situationist analysis as Marxist critical theory.

Debord was cautious however to differentiate between the derive and such precedents.

Guy Debord on his own lacked the personal warmth and persuasiveness to draw people of different nationalities and talents into an active working partnership.

He was at the root and at the core of the Situationist International project, fully sharing the revolutionary intentions with Debord.

The most notorious film is Guy Debord 's Howls for Sade of 1952.