Get to know Donaueschingen better with 2 real example sentences, the meaning.
Donaueschingen in a sentence
Donaueschingen meaning
A town in the Black Forest, Baden-Württemberg, Germany.
Using Donaueschingen
- The main meaning on this page is: A town in the Black Forest, Baden-Württemberg, Germany.
Context around Donaueschingen
- Average sentence length in these examples: 23 words
- Position in the sentence: 0 start, 2 middle, 0 end
- Sentence types: 2 statements, 0 questions, 0 exclamations
Corpus analysis for Donaueschingen
- In this selection, "donaueschingen" usually appears in the middle of the sentence. The average example has 23 words, and this corpus slice is mostly made up of statements.
- Around the word, festival stand out and add context to how "donaueschingen" is used.
- Recognizable usage signals include for the donaueschingen festival of and mix at donaueschingen in 1954. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "donaueschingen" sits close to words such as aabb, aabria and aacha, which helps place it inside the broader word index.
Example types with donaueschingen
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
The piece was composed for the Donaueschingen Festival of contemporary music of 1962, and its performance was regarded as provocative and controversial. (22 words)
According to Otto Luening, Cage also performed a William sic Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. (24 words)
According to Otto Luening, Cage also performed a William sic Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration. (24 words)
The piece was composed for the Donaueschingen Festival of contemporary music of 1962, and its performance was regarded as provocative and controversial. (22 words)
Example sentences (2)
According to Otto Luening, Cage also performed a William sic Mix at Donaueschingen in 1954, using eight loudspeakers, three years after his alleged collaboration.
The piece was composed for the Donaueschingen Festival of contemporary music of 1962, and its performance was regarded as provocative and controversial.