Gabler in a sentence

Gabler's "corrected edition" Hans Walter Gabler's 1984 edition was the most sustained attempt to produce a corrected text, but it received much criticism, most notably from John Kidd.

Neal Gabler, the author and film critic who wrote “An Empire of Their Own: How the Jews Invented Hollywood,” served as an adviser.

She appeared in several London plays, among them playing the titular role of Hedda Gabler at a Notting Hill theatre.

Gabler denied the motion, just as fellow Eau Claire County Judge John Manydeeds did in October.

Gabler serves as a medical logistics officer in the 28th Infantry Division Headquarters, the oldest division in the U.S. Army.

Gabler and others rejected Kidd's critique, and the scholarly community remains divided.

Gabler attempted to reconstruct what he called "the continuous manuscript text", which had never physically existed, by adding together all of Joyce's accretions from the various sources.

Gabler said: "I made Billie a real pop singer.

Holiday asked Gabler for strings on the recording.

In December 1988, Charles Rossman's "The New Ulysses: The Hidden Controversy" for the New York Review revealed that Gabler's own advisers felt too many changes were being made, but that the publishers were pushing for as many alterations as possible.

In relation to "Rock Around The Clock", Gabler said: "I was aware that rock was starting.

Instead, Gabler was actually following printed editions such as that of 1932, not the manuscripts.

Jerome McGann describes in detail the editorial principles of Gabler in his article for the journal Criticism, issue 27, 1985.

Kidd and even some of Gabler's own advisers believe this method meant losing Joyce's final changes in about two thousand places.

She played the lead in Ibsen 's Hedda Gabler for 12 performances at New York City's Longacre Theatre, opening on June 28, 1942.

The term "dogmatic" can be used disparagingly to refer to any belief that is held stubbornly, including political Gabler, Neal.

This allowed Gabler to produce a "synoptic text" indicating the stage at which each addition was inserted.

When Holiday's producers at Columbia found the subject matter too sensitive, Milt Gabler agreed to record it for his Commodore Records label on April 20, 1939, and "Strange Fruit" remained in her repertoire for twenty years.

In a 2005 retrospective on his uncle Milt Gabler's work (The Milt Gabler Story), Billy Crystal identifies Haley's 1954 recording of "Rock Around the Clock" as the single most important song Gabler ever produced.