Galatea in a sentence

The big boss of the deck, Orcustrion is a Rank 4 that can’t be destroyed by battle or card effects, combining Galatea and Longirsu’s abilities.

Sherry had to be the Galatea to his Pygmalion before he entered her through persecutory assault.

Through some mysterious force — “the animating power of music,” the notes suggest — the statue comes to life near the end of the work as the character Galatea.

Above is crouched the figure of Polyphemus in weathered bronze, peering down at the white marble group of Acis and Galatea embracing below (see below).

A fresco from 1st century AD depicting Polyphemus and Galatea in a naked embrace.

Again, Polyphemus merges with the cliff where he meditates in the same way that Galatea merges with her element within the grotto in the painting at Musée d'Orsay.

Among prints of the paintings The Parnassus (with considerable differences) Pon:86-87 lists them and Galatea were also especially well-known.

Galatea has one of the most complex interaction systems for a non-player character in an interactive fiction game.

Galatea, who had fled into her native element, returns and changes her dead lover into the spirit of the Sicilian river Acis.

Handel reworked his Acis and Galatea which then became his most successful work ever.

Here he is supposed to have composed The Cyclops, with the tyrant cast in the role of the giant, while the successful lovers are the poet and his Galatea.

Here two herdsmen engage in a musical competition, one of them playing the part of Polyphemus, who asserts that since he had adopted the ruse of ignoring Galatea, she has now become the one who pursues him.

In it the giant expresses his fury upon viewing the loving couple, ultimately throwing the huge rock that kills Acis and even injures Galatea.

It is particularly noted for its depiction of landscape and for the sensual description of the love of Acis and Galatea.

Jean-Baptiste van Loo 's contribution to the "The Triumph of Galatea" series.

Kazantzakis married Galatea Alexiou in 1911; they divorced in 1926.

La Galatea received little contemporary notice; and Cervantes never wrote the continuation for it, which he repeatedly promised to do.

Polyphemus spies on the sleeping Galatea, Gustave Moreau (1880) Other paintings take up the Theocritan theme of the pair divided by the elements with which they are identified, land and water.

Shortly afterwards George Frideric Handel worked in that country and composed the cantata Aci, Galatea e Polifemo (1708), laying as much emphasis on the part of Polifemo as on the lovers.

The giant is tortured by hearing the happy voices of Galatea and Acis as they pursue their love duet.