Gaudí in a sentence

According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists.

Gaudí used hyperboloid structures in later designs of the Sagrada Família (more obviously after 1914), however there are a few places on the nativity façade—a design not equated with Gaudí's ruled-surface design—where the hyperboloid crops up.

The result of these disagreements has been the loss of the decorative legacy of Gaudí, as furniture due to climate change and the distribution of the main floor which made the owner when Gaudí died.

Outside Gaudí’s famous basilica, it is the usual chaos.

The chief architect on the project, Jordi Faulí, told Spanish media: “Gaudí already envisioned this structure being accessible to people.

Gaudí was a man with a vision, and one who understood that the vision must be clearly communicated to be effective.

Nowadays, Gaudí is at the heart of Barcelona’s tourism offering, and efforts are continuing to highlight his works.

Dubbed the by early visitors – architect Dang Viet Nga says the five-storey building is her tribute to Dalat’s natural surroundings by way of Antoni Gaudí.

After the decision was made to exclude the statuary of Mary and the archangels, Gaudí contemplated abandoning the project but was persuaded not to by a priest.

Although the manufacturer committed to re-do the broken parts, Gaudí liked the aesthetic of the broken masonry and asked that the pieces be stuck to the main structure with lime mortar and held in with a brass ring.

Another of Gaudí's Tiled Mosaics on the ceiling.

Antoni Gaudí began work on the church in 1883 but was not appointed Architect Director until 1884.

A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that.

Art Nouveau ( Aubrey Beardsley and the architect Antonio Gaudí ) re-introduced abstract floral patterns into western art.

Aware that he would not live long enough to see this façade completed, Gaudí made a model which was demolished in 1936, whose original fragments were base for the development of the project of the façade.

Besides the dominating presence of Gaudí, Lluís Domènech i Montaner also used Art Nouveau in Barcelona in buildings such as the Castell dels Tres Dragons (1888), Palau de la Música Catalana and Casa Lleó Morera (1905).

Characteristic of Gaudí's naturalistic style, the sculptures are ornately arranged and decorated with scenes and images from nature, each a symbol in their own manner.

Construction began in 1954, following the drawings and instructions left by Gaudí for future architects and sculptors.

Constructive similarities Inspired Gaudí's La Pedrera on a mountain, but there is no agreement on which was the reference model.

Design disagreements Gaudí's relations with Roser Segimon deteriorated during the construction and decoration of the house.