Wondering how to use Hellscapes in a sentence? Below are 2 example sentences from authentic English texts. Including the meaning .
Hellscapes meaning
plural of hellscape
Using Hellscapes
- The main meaning on this page is: plural of hellscape
Context around Hellscapes
- Average sentence length in these examples: 25.5 words
- Position in the sentence: 1 start, 0 middle, 1 end
- Sentence types: 2 statements, 0 questions, 0 exclamations
Corpus analysis for Hellscapes
- In this selection, "hellscapes" usually appears near the start of the sentence. The average example has 25.5 words, and this corpus slice is mostly made up of statements.
- Around the word, wretched and goya stand out and add context to how "hellscapes" is used.
- Recognizable usage signals include bosch s hellscapes goya s and into wretched hellscapes. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "hellscapes" sits close to words such as aabc, aacr and aacsb, which helps place it inside the broader word index.
Example types with hellscapes
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
A sprinkling of duplexes or small apartment buildings would not turn quiet, safe, leafy communities into wretched hellscapes. (18 words)
It’s also deeply indebted to Bosch’s hellscapes, Goya’s witches, Daumier’s pictures of travelling acrobats and Rembrandt’s glowering Low Country landscapes – not to mention Dix’s own oddball aesthetic. (33 words)
It’s also deeply indebted to Bosch’s hellscapes, Goya’s witches, Daumier’s pictures of travelling acrobats and Rembrandt’s glowering Low Country landscapes – not to mention Dix’s own oddball aesthetic. (33 words)
A sprinkling of duplexes or small apartment buildings would not turn quiet, safe, leafy communities into wretched hellscapes. (18 words)
Example sentences (2)
A sprinkling of duplexes or small apartment buildings would not turn quiet, safe, leafy communities into wretched hellscapes.
It’s also deeply indebted to Bosch’s hellscapes, Goya’s witches, Daumier’s pictures of travelling acrobats and Rembrandt’s glowering Low Country landscapes – not to mention Dix’s own oddball aesthetic.