Iconographic

The iconographic analysis of the medallions of the majority of the classic Chelebi carpets from the world collections allows us to trace its evolution.

Among the most prominent representatives of the Albanian iconographic art were Onufri and David Selenica.

And, like these close relatives, Cerberus was, with only the rare iconographic exception, multi-headed.

Castagno demonstrates iconographic linkages between genre painting and the figures of the commedia dell'arte that demonstrate how this theatrical form was embedded within the cultural traditions of the late cinquecento.

Christian iconographic mosaics can be uncovered, but often at the expense of important and historic Islamic art.

For description of the form as representing teaching functions, see: Kramrisch, p. 472. This iconographic form for depicting Shiva in Indian art is mostly from Tamil Nadu.

He sees iconographic and mythological parallels between the two figures: both are young heroes, carry a dagger and wear a Phrygian cap.

Iconographic depictions of the Final Judgment are often portrayed on the back (western) wall of the church building to remind the departing faithful to be vigilant in their struggle against sin.

Instead, both Akbar and Jahangir studied this artwork very closely and replicated and adapted it, adopting much of the early iconographic features and later the pictorial realism for which Renaissance art was known.

Italian recorder maker Francesco Livirghi has designed a double recorder or flauto doppio with connected, angled pipes of the same length but played with different hand positions, based on iconographic sources.

It was characterised by iconographic paintings illustrating scenes from the bible.

The icon is a convert painting in the Byzantine iconographic style that wraps around the entire church rotunda.

The murals often develop over an extended period and tend to stylization, with a strong symbolic or iconographic content.

The placement of the moon on his head as a standard iconographic feature dates to the period when Rudra rose to prominence and became the major deity Rudra-Shiva.

The presence of the birds has led to the iconographic identification of the human figure as the god Odin, flanked by Huginn and Muninn.

The standard iconographic interpretation of the image icon is that the dragon represents both Satan (Rev. 12:9) and the monster from his life story.

The study is largely iconographic, presenting a pictorial evidence that many of the artists who painted or printed commedia images were in fact, coming from the workshops of the day, heavily ensconced in the maniera tradition.

Van Eyck's Marian paintings are suffused with iconographic detail Craig Harbison describes the blending of realism and symbolism as perhaps "the most important aspect of early Flemish art".