Ingres in a sentence

Chaussard (Le Pausanias Français, 1806) condemned Ingres's style as gothic and asked: How, with so much talent, a line so flawless, an attention to detail so thorough, has M. Ingres succeeded in painting a bad picture?

Ingres: Drawings from the Musee Ingres at Montauban and other collections (catalogue).

J.A.D. Ingres: Fifty Life Drawings from the Musée Ingres at Montauban.

And to the disbelief of many, the contemporary British artist David Hockney has argued that painters from Van Eyck and Vermeer to Caravaggio and Ingres used camera obscuras to trace their imagery.

Another of the works slated to be sold: ”Virgil Reading the Aeneid Before Augustus” by Jean-Auguste-Dominique Ingres.

Ingres said that many of the injured will need weeks or even months to recover.

After revisions which eventually reduced the Duke to a tiny figure in the background, Ingres left the work unfinished.

After the completion of The Source, Ingres painted two versions of Louis XIV and Molière (1857 and 1860), and produced variant copies of several of his earlier compositions.

Although facing uncertain prospects, in 1813 Ingres married a young woman, Madeleine Chapelle, who had been recommended to him by her friends in Rome.

Among Ingres's historical and mythological paintings, the most satisfactory are usually those depicting one or two figures.

As his envoi of 1808 Ingres sent Oedipus and the Sphinx and The Valpinçon Bather (both now in the Louvre ), hoping by these two paintings to demonstrate his mastery of the male and female nude.

Asked late in life if he felt an affinity to Ingres, he responded: "I should very much like to".

Beginning in 1973, INGRES delivered its first test products which were generally ready for widespread use in 1979.

Clay 1981, p. 132. Abhorring the visible brushstroke, Ingres made no recourse to the shifting effects of colour and light on which the Romantic school depended; he preferred local colours only faintly modelled in light by half tones.

Concentrating on his drawing and emphasizing the outlines of figures, he painted works such as The Large Bathers (1884–87; Philadelphia Museum of Art ) during what is sometimes called his " Ingres period".

Condon et al. 1983, p. 13. From the beginning of his career, Ingres freely borrowed from earlier art, adopting the historical style appropriate to his subject, leading critics to charge him with plundering the past.

During this low point of his career, Ingres made his living by drawing pencil portraits of the many tourists, in particular the English, passing through postwar Rome.

Form and proportion Pencil portrait by Ingres Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject.

From his father the young Ingres received early encouragement and instruction in drawing and music, and his first known drawing, a study after an antique cast, was made in 1789.

He returned to Berkeley in 1985, and started a post-Ingres project to address the problems with contemporary database systems that had become increasingly clear during the early 1980s.