Korngold

Karabits, meanwhile, conducts it magnificently, wonderfully alert to the score’s shifts in mood and accumulating tensions, as well as the almost queasy beauty of Korngold’s sound-world.

Korngold acknowledges the confusion and hurt of residents, upset to see harmful messages about LGBTQ people and women emanating from what should be safe spaces for children.

We have this thing where we sort of want to study with the master’s master, and that would be Erich Wolfgang Korngold or Sergei Rachmaninoff or Igor Stravinsky or whatever.

There was some more Mozart, as well as arias from Tchaikovsky, Puccini and Korngold, and songs from “Carousel” (including Mr. Gunn in a dramatic performance of “Soliloquy”).

Korngold's best known work for the stage.