On this page you'll find 5 example sentences with Kritis. Discover how to use the word correctly in a sentence.
Context around Kritis
- Average sentence length in these examples: 22.6 words
- Position in the sentence: 0 start, 2 middle, 3 end
- Sentence types: 5 statements, 0 questions, 0 exclamations
Corpus analysis for Kritis
- In this selection, "kritis" usually appears near the end of the sentence. The average example has 22.6 words, and this corpus slice is mostly made up of statements.
- Around the word, music, rare and pancharatna stand out and add context to how "kritis" is used.
- Recognizable usage signals include and the kritis he sang and carnatic music kritis and nuances. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "kritis" sits close to words such as aadujeevitham, aani and aarne, which helps place it inside the broader word index.
Example types with kritis
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
The session then delved into kritis, where sangatis drive a raga’s progression. (13 words)
He keeps a list of his Carnatic recitals, with the date, venue and the kritis he sang. (17 words)
He knew what is expected of a particular track, because of his in-depth knowledge about Carnatic music, kritis and nuances of each raga. (24 words)
The chillness of the Margazhi morning was swept away by the warmth of the vocals and instruments as Carnatic musicians, prominent and the aspiring, came together to render in unison saint Tyagaraja’s Pancharatna Kritis. (35 words)
He knew what is expected of a particular track, because of his in-depth knowledge about Carnatic music, kritis and nuances of each raga. (24 words)
On the first day evening, Mangalampalli Swarna sang with composure and competence selecting not only rare kritis but also rare ragas for most part. (24 words)
Example sentences (5)
The session then delved into kritis, where sangatis drive a raga’s progression.
He keeps a list of his Carnatic recitals, with the date, venue and the kritis he sang.
He knew what is expected of a particular track, because of his in-depth knowledge about Carnatic music, kritis and nuances of each raga.
On the first day evening, Mangalampalli Swarna sang with composure and competence selecting not only rare kritis but also rare ragas for most part.
The chillness of the Margazhi morning was swept away by the warmth of the vocals and instruments as Carnatic musicians, prominent and the aspiring, came together to render in unison saint Tyagaraja’s Pancharatna Kritis.