Lumière in a sentence

This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory).

Created by for Montréal en Lumière, the show takes the public on a tour through the history of skating in a production featuring world-class skaters, circus arts performers and an original soundtrack.

Indeed, one of his last major creations was not a fabulous garment, but the 60-storey Palais Lumière, which the authorities of Venice planned to build by the city’s lagoon.

We didn't ask for a blue Will Smith, a disturbingly realistic Lumière and a music-less Mulan, but we're stuck with them and, as a result, our complicated feelings about whether or not they should exist.

At the turn of the 20th century, the Lumière Brothers sent film documentarians to places westerners had never seen, and Georges Méliès utilized trick photography in film fantasies that prefigured that in King Kong.

Auguste and Louis Lumière invented the cinématographe and their L'Arrivée d'un train en gare de La Ciotat in Paris in 1895 is considered by many historians as the official birth of cinematography.

Cinema main Cinema in Morocco has a long history, stretching back over a century to the filming of Le chevrier Marocain ("The Moroccan Goatherd") by Louis Lumière in 1897.

Cinema main The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions.

In 1868, Edmond Becquerel published a book, La lumière: ses causes et ses effets (Light: Its causes and its effects).

It was much to Lumière's surprise that the moving black-and-white images retained more attention than the colored stills photographs.

Lumière trainees produced short films documenting everyday life and comic strips in the late 1890s and early 1900s.

The additive RGB model and variants such as orange–green–violet were also used in the Autochrome Lumière color plates and other screen-plate technologies such as the Joly color screen and the Paget process in the early twentieth century.

The Adoration of the Shepherds (Metropolitan Museum of Art), a free and painterly sketch in gouache, was long considered a preparatory sketch for Madame de Pompadour’s private altarpiece La lumière du monde (ca. 1750, Musée des Beaux-Arts, Lyon).

The Lumière brothers made their first public screening of films in 1895 and already in 1896 Gabriel Veyre shot Repas d'Indien ("Indian Banquet") for them.

The Lumière brothers show first came to London in 1896.

The main focus of this conference by Louis Lumière were the recent developments in the photograph industry, mainly the research on polychromy (color photography).

They can be heard in the CD Une Rosée de Lumière - Saint François et Sainte Claire d'Assise, by Jacques Burtin and Sister Claire Marie Ledoux, Studio SM, 1997.

They went on to develop the first practical photographic color process, the Lumière Autochrome.

This first film shows workers leaving the Lumière factory.