Wondering how to use Pérotin in a sentence? Below are 3 example sentences from authentic English texts. .
Pérotin in a sentence
Context around Pérotin
- Average sentence length in these examples: 21.3 words
- Position in the sentence: 2 start, 0 middle, 1 end
- Sentence types: 3 statements, 0 questions, 0 exclamations
Corpus analysis for Pérotin
- In this selection, "pérotin" usually appears near the start of the sentence. The average example has 21.3 words, and this corpus slice is mostly made up of statements.
- Around the word, rhythm, student, alleluia and developed stand out and add context to how "pérotin" is used.
- Recognizable usage signals include his student pérotin were stationed and léonin and pérotin developed the. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "pérotin" sits close to words such as aabc, aacr and aacsb, which helps place it inside the broader word index.
Example types with pérotin
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
Rhythm Pérotin, "Alleluia nativitas", in the third rhythmic mode. (9 words)
This final stage of organum is sometimes referred to as Notre Dame school of polyphony, since that was where Léonin (and his student Pérotin ) were stationed. (26 words)
Twelfth-century composers, such as Léonin and Pérotin developed the organum that was introduced centuries earlier, and also added a third and fourth voice to the now homophonic chant. (29 words)
Twelfth-century composers, such as Léonin and Pérotin developed the organum that was introduced centuries earlier, and also added a third and fourth voice to the now homophonic chant. (29 words)
This final stage of organum is sometimes referred to as Notre Dame school of polyphony, since that was where Léonin (and his student Pérotin ) were stationed. (26 words)
Rhythm Pérotin, "Alleluia nativitas", in the third rhythmic mode. (9 words)
Example sentences (3)
Rhythm Pérotin, "Alleluia nativitas", in the third rhythmic mode.
This final stage of organum is sometimes referred to as Notre Dame school of polyphony, since that was where Léonin (and his student Pérotin ) were stationed.
Twelfth-century composers, such as Léonin and Pérotin developed the organum that was introduced centuries earlier, and also added a third and fourth voice to the now homophonic chant.