Psalter in a sentence

The Psalter in the American Book of Common Prayer of 1979 is a new translation, with some attempt to keep the rhythms of the Coverdale Psalter.

The version of the Psalter in the American Book of Common Prayer prior to the 1979 edition is a sixteenth-century Coverdale Psalter.

In the mid-1540s Louis Bourgeois joined John Calvin in Geneva where together they compiled the Geneva Psalter.

Baronius Press 's revised edition of the Liturgical Press edition uses the older Gallican psalter of St. Jerome.

Based on Coverdale's translation of the Book of Psalms in his 1535 bible, his later Psalter has remained in use in the Book of Common Prayer down to the present day.

C. Mitchell's The Message of the Psalter took a quite different line.

Cranmer took up Quiñones's principle that everything should be sacrificed to secure continuity in singing the Psalter and reading the Bible.

Following this reform, the entire Psalter is again generally recited each week, with the festal psalms restricted to only the highest-ranking feasts.

For example Coverdale's renderings are used in Handel's Messiah, based on the Prayer Book Psalter rather than the King James Bible version.

Gradually there were added to these psalter choir-books additions in the form of antiphons, responses, collects or short prayers, for the use of those not skilful at improvisation and metrical compositions.

In some churches, the epitaphios is never left alone, but is accompanied 24 hours a day by a reader chanting from the Psalter.

It has been argued that the Psalter was given as a gift from Fulk after their dispute and alleged infidelity surrounding Hugh.

Judith Oliver noted five Merovingian female saints in the diocese of Liège who appeared in a long list of saints in a late 13th-century psalter-hours.

Mitchell proposed that the Psalter embodies an eschatological timetable like that of Zechariah 9–14.

Pius X was probably influenced by earlier attempts to eliminate repetition in the psalter, most notably the liturgy of the Benedictine congregation of St. Maur.

Psalms Before the 1911 reform, the multiplication of saints' festivals, with practically the same festal psalms, tended to repeat the about one-third of the Psalter, with a correspondingly rare recital of the remaining two-thirds.

Rebels 14th-century rural scene of reeve directing serfs, from the Queen Mary Psalter Chroniclers primarily described the rebels as rural serfs, using broad, derogatory Latin terms such as serviles rustici, servile genus and rusticitas.

The bestiary in the Queen Mary Psalter is found in the "marginal" decorations that occupy about the bottom quarter of the page, and are unusually extensive and coherent in this work.

The first step in the evolution of the Breviary was the separation of the Psalter into a choir-book.

The new Common Worship service book has a companion psalter in modern English.