Revues in a sentence

But “topless” is a persuasive term in marketing adult revues across a city where such topless shows as “Fantasy” and “X Burlesque” have run for more than two decades.

The engagement’s generous program — 28 songs in all — was also a retrospective of the Wicked Good troupe’s own history of off-season revues, with singers reprising their favorite numbers from past years.

Under Idland’s direction, the “Ritz Players” became a well-loved fixture in Greenville, producing live musical revues for 13 years.

Before that, she was just another pretty girl with a sweet, clear voice singing in music hall revues, performing standard ballads on the radio and touring the nation's dance halls with popular orchestras.

He had a good memory too: in high demand for the university revues of the early 1960s, he could, fifty years later, still recall scripts written for him by Clive James.

He graduated in 1953, then wrote revues and Off Broadway musicals for years until Gerard Oestreicher, a real estate developer and Broadway producer, suggested his musical about Israel.

Interpreting GST revues has been really complicated.

During the 1930s, Zora Neale Hurston produced two other musical revues, From Sun to Sun, which was a revised adaptation of The Great Day, and Singing Steel.

He had the occasional number interpolated into other writers' revues in Britain and the U.S. For a C. B. Cochran show in 1921, he had two successes with the comedy numbers "The Blue Boy Blues" and "Olga, Come Back to the Volga".

He was not elected immediately as he had hoped, and started to write and perform in revues with Will Adams (no relation) and Martin Smith, forming a group called "Adams-Smith-Adams", but became a member of the Footlights by 1973.

In its early years, the theater was a showcase for revues by Berlin.

Lyngstad also played in several revues and cabaret shows in Stockholm between 1969 and 1973.

Non-operatic works for stage and screen Plays, playlets, pantomimes, and revues *American (U.

South Africa has an active musical theatre scene, with revues like African Footprint and Umoja and book musicals, such as Kat and the Kings and Sarafina!

The majority of the sketches were by Cook and were largely based on material written for other revues.

The shows' decadence featuring American Steve Vigil shocked some journalists and regulars, thus attracting attention that provided stepping stones for subsequent development of the more mainstream After Dark revues which were still active in 2013.

Thus "Ephemeris" writes (17/03/1889): “In the "Revues des Deux Mondes" Paul Lefaivre published his memoirs from an excursion to Delphi.