Rhymed in a sentence

Usually, only the second and fourth line of a quatrain are rhymed (in the scheme a, b, c, b), which has been taken to suggest that, originally, ballads consisted of couplets (two lines) of rhymed verse, each of 14 syllables.

In blank verse, rhymed couplets and ballad metre, Sullivan puts her formal skills to bitterly effective use, finding a glib jingle in the Grenfell inquiry’s bureaucratese (“this report is avowedly provisional.

IT’S famous across the globe for its rich heritage of craftsmanship, and last weekend art and history rhymed in Belleek as the ‘Potter’s Bench’ was unveiled in the heart of the village.

Perhaps, because it rhymed a little better, it dangled around like a carrot stick in front of a horse.

She rhymed off a list of countries — Germany, France, the Netherlands, the European Union, the United States, Britain, Australia, Estonia, Lithuania and Latvia — for “publicly coming out and speaking against these arbitrary detentions.

In the light of the ongoing interpretation of what Bill Gates said, it has to be pointed out that from the onset, Aregbesola has, as it were, rhymed the hardware with the software.

The Chicago MC personally called and rhymed for the young fan just days before she passed.

Adelaide Crapsey codified the couplet form into a two line rhymed verse of ten syllables per line with her image couplet poem On Seeing Weather-Beaten Trees citation first published in 1915.

A local Fox 25 news reporter made the same move when he rhymed the unspoken word with rich.

Baker and Minogue, Hodder and Stoughton, 2002. p 111. She had written lyrics before, but called them "safe, just neatly rhymed words and that's that".

Beginning with the earlier recorded forms: the Classic of Poetry tends toward couplets of four-character lines, grouped in rhymed quatrains; and, the Chuci follows this to some extent, but moves toward variations in line length.

During the early 20th century, the rhymed epigram couplet form developed into a fixed verse image form, with an integral title as the third line.

Each line contained a rhymed couplet laid out as a single line, the last line being the familiar "short rede" couplet beginning "Eight words.

Early 18th century poetry demanded perfect rhymes that were also grammatical rhymes—namely that noun endings rhymed with noun endings, verb endings with verb endings, and so on.

He adapted the lyrics of Isaac Hayes "Good Love 6-9969" and rhymed it to the breakdown part of "Love is the Message".

He himself noted that it rhymed with "voice" (his own pronunciation being main).

Henderson translated every hokku and haiku into a rhymed tercet (a-b-a), whereas the Japanese originals never used rhyme.

However he did use melodic repetition, especially where the lines of text rhymed, and many of his chansons had a lighter texture, as well as a faster tempo, than his motets.

However, the styles are very different as one is heavily structured and rhymed while the other tries to mimic conversational speech.

In 1867 he wrote a rhymed piece, "Sielanka Młodości" ("Idyl of Youth"), which was rejected by Tygodnik Ilustrowany (The Illustrated Weekly).