Salieri in a sentence

In addition, there is now a Salieri Opera Festival sponsored by the Fondazione Culturale Antonio Salieri and dedicated to rediscovering his work and those of his contemporaries.

In July 1783 Mozart wrote to his father of "a trick of Salieri's", Spaethling p. 357 one of several letters in which he accused Salieri of trickery.

Salieri also humiliates Mozart's wife when she comes to Salieri for aid, and smears Mozart's character with the Emperor and the court.

While historically there may have been actual rivalry and tension between Mozart and Salieri, there is also evidence that they enjoyed a relationship marked by mutual respect. citation As an example, Salieri later tutored Mozart's son Franz in music.

Lee Borden, playing Emperor Joseph II, left, speaks to Benjamin Reigel, playing composer Antonio Salieri, right, during a full run-through of “Amadeus,” the first play in Colorado Mesa University’s newly opened Asteria Theatre, debuting on Sept. 27.

In order to change the time of day, players just have to head upstairs in Salieri's Bar, go to the right, then head into the office on the right.

It begins with Salieri engaged in self-mortification, admitting his jealousy of Mozart’s genius.

Albert Lortzing 's Singspiel Szenen aus Mozarts Leben LoWV28 (1832) uses the cliché of the jealous Salieri trying to hinder Mozart's career.

All but the wealthiest of his pupils received their lessons for free, a tribute to the kindness Gassmann had shown Salieri as a penniless orphan.

A major theme in Amadeus is Mozart's repeated attempts to win over the aristocratic "public" with increasingly brilliant compositions, which are always frustrated either by Salieri or by the aristocracy's own inability to appreciate Mozart's genius.

Antonio Salieri was a famous and well-known 18th-century composer, but his fictional portrayal as an antagonist (for example, in the musical and film Amadeus ) has been more famous than his music since the end of the 20th century.

As a student of Florian Leopold Gassmann 's, and a protégé of Gluck 's, Salieri was a cosmopolitan composer who wrote operas in three languages.

At the end of the short, the real Lisa points out the inaccuracy of the portrayal, particularly the exaggeration of the conflict between Mozart and Salieri.

At the opening of the tale, Salieri is an old man, having long outlived his fame.

Axur and his other new compositions completed by 1792 would mark the height of Salieri's popularity and his influence.

Background and production Historical accuracy Shaffer used artistic license in his portrayals of both Mozart and Salieri.

Brown, p. 10 There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished.

Commissioned for an unknown occasion Salieri's Armida was based on Torquato Tasso 's epic poem La Gerusalemme liberata ( Jerusalem Delivered ) and premiered on 2 June 1771.

Da Ponte would write his first opera libretto for Salieri, Il ricco d'un giorno (A Rich Man for a Day) in 1784, it was not a success.

Decades after Mozart's death, a rumour began to circulate that Mozart had been poisoned by Salieri.