Scorsese in a sentence

Nanjiani saying Scorsese has “earned the right” to criticize Marvel echoes similar statements made by Jon Favreau in the immediate aftermath of Scorsese and Coppola’s original comments.

Scorsese, De Niro, and DiCaprio have all been awards-season fixtures this year; Scorsese and De Niro for The Irishman, and DiCaprio for Quentin Tarantino‘s Once Upon a Time in Hollywood.

When Bong mentioned his admiration of Scorsese, an impromptu tribute broke out, with the Dolby Theatre giving Scorsese a standing ovation.

In response to Martin Scorsese's comment that Marvel movies are "not cinema," : "For my money, I think Martin Scorsese made the biggest superhero movie ever, which was The Last Temptation of Christ.

Screened as one of the festival’s Gala presentations, director Martin Scorsese’s “The Irishman” brought audience members a sweeping mob epic starring renowned Scorsese alums Robert DeNiro, Al Pacino and Joe Pesci.

From this work onwards, Scorsese's films are always labeled as "A Martin Scorsese Picture" on promotional material.

In Scorsese on Scorsese, the director talks about how much of the film arose from his feeling that movies are like dreams or drug-induced reveries.

S39 A3 1989 In Scorsese on Scorsese, the director mentions the religious symbolism in the story, comparing Bickle to a saint who wants to cleanse or purge both his mind and his body of weakness.

After joining forces for 1995’s Casino, De Niro and Scorsese went their separate ways but always made it a point to stay in touch.

All of this – Ernest’s entrance, the flashy tracking shot, the table setting conversation with Hale – feels very typical of a Scorsese gangster movie in the best way possible.

Andrew Garfield’s “padre” Rodrigues follows in the footsteps of so many Scorsese’s protagonists (including Jesus himself).

And yet, because of Robbie’s excellence as a performer, and Martin Scorsese’s sharp direction, the relationship feels much more complex and lived in than it might have in lesser hands.

As Scorsese noted in his aforementioned article, the film becomes a ghost story in its final moments.

At the time, she was flabbergasted when director Martin Scorsese asked to meet with her, so much so that she didn’t know who people were talking about when they referred to him by his nickname.

Bear is one of many Indigenous people who came away deeply affected by Martin Scorsese’s searing film, based on the 1920s Reign of Terror in Oklahoma, when dozens of oil-rich Osage were killed by their white neighbors.

Between Martin Scorsese's psychological thriller Shutter Island and Ridley Scott's Thelma & Louise, there's plenty to watch on Prime Video this May.

But instead of talking history, Scorsese and DiCaprio wanted to talk to Gladstone about the moral aspects of the story.

But that's not cinema," Scorsese told at the time.

Director Martin Scorsese with actors Leonardo DiCaprio and Robert De Niro at the 76th Cannes Film Festival.

Every time Scorsese announces and releases a new project, it becomes a cinematic event of its own.