Get to know Spectatorship better with 2 real example sentences, the meaning.
Spectatorship in a sentence
Spectatorship meaning
The state or quality of being a spectator
Using Spectatorship
- The main meaning on this page is: The state or quality of being a spectator
Context around Spectatorship
- Average sentence length in these examples: 26.5 words
- Position in the sentence: 0 start, 2 middle, 0 end
- Sentence types: 2 statements, 0 questions, 0 exclamations
Corpus analysis for Spectatorship
- In this selection, "spectatorship" usually appears in the middle of the sentence. The average example has 26.5 words, and this corpus slice is mostly made up of statements.
- Around the word, female, 1984 and modes stand out and add context to how "spectatorship" is used.
- Recognizable usage signals include and female spectatorship 1984 put and practices and spectatorship modes by. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "spectatorship" sits close to words such as aaaaand, aaah and aacl, which helps place it inside the broader word index.
Example types with spectatorship
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
There has also been a historical revisiting of early cinema screenings, practices and spectatorship modes by writers Tom Gunning, Miriam Hansen and Yuri Tsivian. (24 words)
Miriam Hanson, in "Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship" (1984) put forth the idea that women are also able to view male characters as erotic objects of desire. (29 words)
Miriam Hanson, in "Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship" (1984) put forth the idea that women are also able to view male characters as erotic objects of desire. (29 words)
There has also been a historical revisiting of early cinema screenings, practices and spectatorship modes by writers Tom Gunning, Miriam Hansen and Yuri Tsivian. (24 words)
Example sentences (2)
Miriam Hanson, in "Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship" (1984) put forth the idea that women are also able to view male characters as erotic objects of desire.
There has also been a historical revisiting of early cinema screenings, practices and spectatorship modes by writers Tom Gunning, Miriam Hansen and Yuri Tsivian.