Swaras is an English word. Below you'll find 6 example sentences showing how it's used in practice.
Swaras meaning
plural of swara
Using Swaras
- The main meaning on this page is: plural of swara
Context around Swaras
- Average sentence length in these examples: 20.3 words
- Position in the sentence: 0 start, 2 middle, 4 end
- Sentence types: 6 statements, 0 questions, 0 exclamations
Corpus analysis for Swaras
- In this selection, "swaras" usually appears near the end of the sentence. The average example has 20.3 words, and this corpus slice is mostly made up of statements.
- Around the word, pleasing, own, kala and enhances stand out and add context to how "swaras" is used.
- Recognizable usage signals include as nottu swaras and both in swaras and then. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "swaras" sits close to words such as aaas, aacc and aacs, which helps place it inside the broader word index.
Example types with swaras
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
These are in the raga Sankarabharanam and are referred to as "nottu swaras". (13 words)
After a brief trikalam, they wrapped up the pallavi with swift mel kala swaras. (14 words)
The speciality of Swarajati is that the are rendered both in swaras and then in sahityas. (16 words)
The beauty of the composition was that the name of every raga had the notation of its own swaras, which obviously kept changing with the names of each of the component raga. (32 words)
Radha explains these facts and demonstrates the difference by rendering the notes of some of the ragas and how the placement of the swaras enhances their beauty. (27 words)
The gait of ‘Thanayuni brova’ (Tyagaraja) added to the aesthetic strips as the kriti blossomed with pleasing swaras at ‘vatsamu’. (20 words)
Example sentences (6)
Radha explains these facts and demonstrates the difference by rendering the notes of some of the ragas and how the placement of the swaras enhances their beauty.
The gait of ‘Thanayuni brova’ (Tyagaraja) added to the aesthetic strips as the kriti blossomed with pleasing swaras at ‘vatsamu’.
The beauty of the composition was that the name of every raga had the notation of its own swaras, which obviously kept changing with the names of each of the component raga.
The speciality of Swarajati is that the are rendered both in swaras and then in sahityas.
After a brief trikalam, they wrapped up the pallavi with swift mel kala swaras.
These are in the raga Sankarabharanam and are referred to as "nottu swaras".