Toller

One of the churchgoers, a pregnant woman named Mary (Amanda Seyfried), asks Toller to counsel her husband, an environmental activist whose outlook has taken a dark turn.

And with the 200th-something anniversary of First Reformed Church coming up — an event that’s mostly being run by Abundant Life Church and a bunch of no-good capitalists — Toller sees his opportunity.

As hard as Toller labors over his sermons and a journal of personal thoughts, the pews in his church are practically empty.

Instead, Michael’s spiel makes more of an impression on Toller than the other way around.

It’s about half-way through the movie when we realize that Toller isn’t necessarily a good person.

Reverend Toller (Hawke) oversees the small First Reformed Church, which is headed towards a milestone that no one seems to appreciate beyond a marketing attempt and appreciation of its quaint, colonial Dutch design.

The film follows Toller (Hawke), a New York minister dealing with questions about faith and morality as he works at a church.

Their discussion is electric: part urgent therapy, part challenge to Toller’s beliefs, part wide-ranging divinity-school bull session, part seminar on carbon danger thresholds and upcoming refugee crises.

The issue, Toller learns, is that Michael’s politics have driven him to push Mary to get an abortion.

Bosworth-Toller do not record it as describing a person directly; it most often describes decisions and deeds, and once refers to the nature of Satan's deceit (see Fall of Man ).

Ludwig Mies van der Rohe's Seagram Building in New York City There was a concentrated Expressionist movement in early 20th century German theatre of which Georg Kaiser and Ernst Toller were the most famous playwrights.

Öl heitir með mönnum, en með Ásum bjór ("bēor" main entry and supplement, Bosworth & Toller).

Toller was the leading German expressionist playwright of the era.