Get to know Zuccarelli better with 6 real example sentences.
Zuccarelli in a sentence
Context around Zuccarelli
- Average sentence length in these examples: 24.5 words
- Position in the sentence: 3 start, 2 middle, 1 end
- Sentence types: 6 statements, 0 questions, 0 exclamations
Corpus analysis for Zuccarelli
- In this selection, "zuccarelli" usually appears near the start of the sentence. The average example has 24.5 words, and this corpus slice is mostly made up of statements.
- Around the word, francesco and reached stand out and add context to how "zuccarelli" is used.
- Recognizable usage signals include 1750 when zuccarelli reached his and account of zuccarelli. That gives this page its own corpus information beyond isolated example sentences.
- By corpus frequency, "zuccarelli" sits close to words such as aaas, aacc and aacs, which helps place it inside the broader word index.
Example types with zuccarelli
The same corpus examples are grouped by length and sentence type, making it easier to see the contexts in which the word appears:
Some Account of Zuccarelli". (4 words)
Most charming of the Zuccarelli and Visentini collaborations is a set of 52 playing cards with Old Testament subjects published in Venice in 1748. (24 words)
Francesco Zuccarelli was one of the few Venetian painters of his era to win universal acclaim, even from critics who rejected the concept of Arcadia. (25 words)
Edwards and Walpole (1808), p. 127. A defining touch found consistently across the long span of Francesco Zuccarelli's career is a serene and vaguely sweet expression on the faces of his rounded figures. (34 words)
There is some disagreement about the timing and extent of Zuccarelli's movements from his Florentine period in the late 1720s to his arrival in Venice, which a few commentators date to 1730. (33 words)
Towards 1750, when Zuccarelli reached his peak, his paint handling was very responsive to mood, bright with regard to color, thinly laid on and yet vibrantly effective. (27 words)
Example sentences (6)
Edwards and Walpole (1808), p. 127. A defining touch found consistently across the long span of Francesco Zuccarelli's career is a serene and vaguely sweet expression on the faces of his rounded figures.
Francesco Zuccarelli was one of the few Venetian painters of his era to win universal acclaim, even from critics who rejected the concept of Arcadia.
Most charming of the Zuccarelli and Visentini collaborations is a set of 52 playing cards with Old Testament subjects published in Venice in 1748.
Some Account of Zuccarelli".
There is some disagreement about the timing and extent of Zuccarelli's movements from his Florentine period in the late 1720s to his arrival in Venice, which a few commentators date to 1730.
Towards 1750, when Zuccarelli reached his peak, his paint handling was very responsive to mood, bright with regard to color, thinly laid on and yet vibrantly effective.