Contrapuntal in a sentence

Like their madrigal cousins, Renaissance motets developed in episodic format, with separate phrases of the source text being given independent melodic treatment and contrapuntal development; contrapuntal passages often alternate with monody.

The opera’s disparate styles are bound together through motivic repetition and contrapuntal elaboration.

Marlo sinks further into isolation after the birth of Mia, her maternity leave succinctly rendered on screen as a groaning cycle of fatigue with contrapuntal onesie snaps.

Anton von Webern wrote his dissertation on the Choralis Constantinus of Heinrich Isaac and the contrapuntal techniques of his serial music may be informed by this study.

As a result, his contrapuntal and other works were very short; the "new, modern" Fugues do not extend further than the exposition of the theme(s).

Broadly speaking, due to the development of harmony, from the Baroque period on, most contrapuntal compositions were written in the style of free counterpoint.

From his time at the Conservatoire he was a master of counterpoint; contrapuntal passages crop up, seemingly naturally, in many of his works.

Hughes, p. 66 ;Counterpoint Sullivan as a conductor, c. 1879 Despite his thorough contrapuntal training in London and Leipzig, as well as his experience as a church organist, Sullivan rarely composed fugues.

Hughes, p. 75 Sullivan's best known contrapuntal device was "the simultaneous presentation of two or more distinct melodies previously heard independently".

It is uncommon for the subject to enter alone in a single voice in the middle-entries as in the exposition; rather, it is usually heard with at least one of the countersubjects and/or other free contrapuntal accompaniments.

Josquin made extensive use of "motivic cells" in his compositions, short, easily recognizable melodic fragments which passed from voice to voice in a contrapuntal texture, giving it an inner unity.

Lee's playing style is widely regarded for his use of high treble and very hard playing of the strings, and for utilizing the bass as a lead instrument, often contrapuntal to Lifeson's guitar.

Often the contrapuntal writing is not strict, and the setting less formal.

Perceptions and aesthetics Fugue is the most complex of contrapuntal forms.

Since two hands can be used to play on the fretboard, this makes it possible to play interweaving contrapuntal lines, to simultaneously play a bass line and a simple chord, or play chords and arpeggios.

The use of multiple, contrapuntal guajeos in Latin jazz facilitates simultaneous collective improvisation based on theme variation.

Written in 1896 at age 22. The scherzo of this precociously accomplished symphony (which shows a mature absorption of Bruckner and Richard Strauss ) is especially noteworthy, while Schmidt demonstrates his contrapuntal skills in the Finale.