Isolde in a sentence

Brangäne returns to Isolde to relate these events, and Isolde, in what is termed the "narrative and curse", sadly tells her of how, following the death of Morold, she happened upon a stranger who called himself Tantris.

Brangäne warns Isolde that Melot, one of King Marke's knights, has seen the amorous looks exchanged between Tristan and Isolde and suspects their passion ("Ein Einz'ger war's, ich achtet' es wohl").

Wagner marks this moment with a direct musical and textual reference to Tristan und Isolde : Mein Kind, von Tristan und Isolde kenn' ich ein traurig Stück.

Both Helen and Isolde sleep with Sofiane, producing much of the play’s farcical energy.

The death of his new friend Isolde prompts a series of events that reveal him to be the incarnation of the Norse god Thor.

The rising soprano Tamara Wilson, as Elsa, seemed uncertain in her early scenes, although as her character’s unhappiness deepened she let loose some room-shaking, Isolde-like tones.

Well, what makes us remember Romeo and Juliet, Tristan and Isolde, Robin Hood and Maid Marion?

With a hint of Pasolini’s film Teorema, the fire of lust spreads from mother to daughter, Isolde (Mackenzie Davis).

Wagner’s “Tristan und Isolde” is not a love story.

His debut at the latter in 1966 came under Böhm as the Young Sailor in Wieland Wagner’s production of Tristan und Isolde.

One peculiarly touching document of her career is an account of Isolde’s Transfiguration, the final monologue of “Tristan,” with Herbert von Karajan leading the Vienna Philharmonic.

Brangäne brings in the potion that will seal their pardon, Tristan knows that it may kill him, since he knows Isolde's magic powers ("Wohl kenn' ich Irland's Königin").

Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde.

Hans Sachs war klug und wollte nichts von Herrn Markes Glück. main ("My child, I know a sad tale of Tristan and Isolde.

He later wrote that "Tristan und Isolde marked the end of all romanticism.

Her scorn and rage are directed particularly at Tristan, the knight responsible for taking her to Marke, and Isolde sends Brangäne to command Tristan to appear before her ("Befehlen liess' dem Eigenholde").

His Tristan und Isolde is sometimes described as marking the start of modern music.

I have devised in my mind a Tristan und Isolde, the simplest, yet most full-blooded musical conception imaginable, and with the ‘black flag’ that waves at the end I shall cover myself over – to die.

Influence of Schopenhauer on Tristan und Isolde Wagner's friend Georg Herwegh introduced him in late 1854 to the work of the philosopher Arthur Schopenhauer.

Isolde attempted to kill the man with his own sword as he lay helpless before her.