Magritte in a sentence

Most recently these include Magritte's La decouverte de feu to Musée Magritte's Magritte-Broodthaers & Contemporary Art.

Artists influenced by Magritte Contemporary artists have been greatly influenced by René Magritte's stimulating examination of the fickleness of images.

Mo Ostin, a force in the music industry who died in August, was also an art enthusiast whose major works include Magritte, Basquiat and Twombly.

René Magritte’s ‘Empire of Light’ (1951) was estimated to sell for at least $35 million.

Art handlers pose with the work ‘L’ami intime’ by Belgian artist Rene Magritte during the preview of modern and contemporary art auction at Christie’s auction house in London, Britain, 01 March 2024.

Magritte’s next exhibition, his first solo exhibition in Paris, fared even worse.

The nearly month-long trial captivated the fine art world, not just because of the four masterpieces that were in contention, including one of Gustav Klimt’s “Water Snakes”, a Rene Magritte “Le Domaine D’Arnheim” and a sculpture by Modigliani.

What emerges from the retrospective is not only a front-row look at surrealist painting, but also a sense of Magritte’s irreverent humour.

Magritte portrayed himself in the same pose in his painting The Magician – except with four arms.

The sculptures were born when entertainer Ronnie Heart invited Renee to participate in his Magritte-themed party.

The museum’s permanent collection includes works by Picasso, Magritte and Lichtenstein.

Giotto, Titian, Rembrandt, Van Gogh, Magritte, Joan Eardley and William Crozier are all cited as significant in the formation of his visual lexicon but jazz, rock ‘n’ roll and street art are also importan.

Rally organizer and founder and co-president of YPC Magritte Gordaneer echoed these feelings when she stepped up to the podium as the first speaker of the day.

The inspiration, if not the sampling, behind the result is often difficult to miss: it’s impossible not to see Magritte’s recurring motif of the incongruous monolith in “Untitled (Floating Rock) variations.

Among Magritte's works are a number of surrealist versions of other famous paintings.

And—as in Magritte's case (where there is no obvious recourse to either automatic techniques or collage)—the very notion of convulsive joining became a tool for revelation in and of itself.

Dalí and Magritte created some of the most widely recognized images of the movement.

Douglas Hofstadter 's book Gödel, Escher, Bach uses Magritte works for many of its illustrations.

During the early stages of his career, the British surrealist patron Edward James allowed Magritte to stay rent free in his London home and paint.

Having made little impact in Paris, Magritte returned to Brussels in 1930 and resumed working in advertising.