Narratively in a sentence

Despite not talking and rampaging throughout a city, kaiju style, the giant starfish is narratively compelling and visually dazzling, standing high above most other DC enemies.

Instead, it’s content to serve as a potent reminder that tentative first steps can be every bit as narratively compelling as great leaps of faith.

Literally molding Diana out of clay would also narratively explain why, in the present day, her face looks a little different from what we've come to recognize with Gadot.

More impressive, we didn’t need to tell it what a story was, or what kind of conflict a child might find narratively satisfying.

Narratively, him joining the team would make sense, as like the other characters, he's often depicted as an antihero rather than a villain.

Narratively, it follows two people who will go to great lengths to get rid of their financial problems, with a complex (and eventually disastrous) plan that aims to get them both out of their difficult situations.

Narratively, the anime blends serial and episodic storytelling quite well; while most of the cases feel standalone, they generally contribute to Aya and Tsugaru's overall search.

All that considered, it's odd that Star Wars has left this crucial decade in young Skywalker's life as narratively barren as it has.

For spoiler reasons I can’t really go into why, but I wouldn’t be at all surprised if the point was to take things a step too far narratively.

It also may have helped that Miller didn’t have a preexisting notion of wanting to connect all of the episodes together narratively or thematically.

It just remains to be seen how they handle it narratively and if they can satisfactoraly pull it off to the satisfaction of the majority of the GA.

Another is that show decided to focus on three bands than the franchise's five allowing for it to tell a more narratively tight story this season.

Elsewhere, some quite intense scenes and interactions come out of nowhere narratively, while others are surreally anticlimactic.

Burna’s most cohesive and expansive record to date, is musically diverse and narratively challenging.

Disney’s original “Cinderella” is a masterpiece of animation, but it’s also a narratively thin piece of wish-fulfillment.

His romantic obsession with Bean has mostly been written out of the show (in a way that narratively makes sense), which gives him more time to be the optimistic, jolly angel to Luci’s devil.

Narratively, Evelyn seems to be absolved from responsibility for helping to create Eliza, although she is repeatedly told she is the only one who really understands it.

Narratively, it’s a rewarding end to the story, with earlier references to the titular character now culminating in a grand finale, but it’s the sounds that truly seize you in apocalyptic splendor.

Rest assured, though, is no soulless retread but rather a much more narratively complex, visually inventive, and thematically interesting follow-up than anticipated.

They were incapable of narratively altering the story of Superman, so they copied it, instead, creating Milkman Man.